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・ Johann Christian Albers
・ Johann Christian August Clarus
・ Johann Christian August Heinroth
・ Johann Christian August Heyse
・ Johann Christian Bach
・ Johann Christian Bauer
・ Johann Christian Brand
・ Johann Christian Buxbaum
・ Johann Christian Claudius Devaranne
・ Johann Christian Cuno
・ Johann Christian Daniel von Schreber
・ Johann Christian Dieterich
・ Johann Christian Eberlein
・ Johann Christian Felix Baehr
・ Johann Christian Fiedler
Johann Christian Fischer
・ Johann Christian Friedrich Heidmann
・ Johann Christian Friedrich Hæffner
・ Johann Christian Friedrich Märkel
・ Johann Christian Friedrich Tuch
・ Johann Christian Georg Bodenschatz
・ Johann Christian Gerning
・ Johann Christian Gottlieb Ackermann
・ Johann Christian Gottlieb Ernesti
・ Johann Christian Gottlob Baumgarten
・ Johann Christian Günther
・ Johann Christian Josef Abs
・ Johann Christian Kammsetzer
・ Johann Christian Kittel
・ Johann Christian Konrad von Hofmann


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Johann Christian Fischer : ウィキペディア英語版
Johann Christian Fischer

Johann Christian Fischer (c. 1733 – 29 April 1800) was a German composer and oboist, one of the best-known oboe soloists in Europe during the 1770s.〔"The two best-known hautboy soloists in Europe in the 1770s were probably Johann Christian Fischer (1733-1800) and Carlo Besozzi (1738-p.1798)" (Burgess and Haynes 2004:87).〕
Employed as a music copyist and theatre director for the Duke of Mecklenburg-Schwerin at Ludwigslust, Fischer is now credited with the unique ''Symphony with Eight Obbligato Timpani'', formerly attributed to Johann Wilhelm Hertel, court composer at Schwerin.〔(Naxos.com: Composers )〕 He spent some time in Dresden, but left after the Prussian occupation in the Seven Years' War for extensive concertizing tours,〔He met the nine-year-old Mozart at The Hague in 1765 and again in Vienna in 1787, when Mozart was less impressed (Letter, 4 April 1787)..〕 ending in London, where he was active as a performer, composer, and a teacher, and introduced the Continental narrow-bore model of oboe that replaced the bright and penetrating straight-topped English type.〔Anthony Baines, ''Woodwind Instruments and Their History'', 1967:281.〕 In London Fischer joined the largely German "Queen's Band" of George III's German Queen, Charlotte of Mecklenburg-Strelitz.〔F. Anne M.R. Jarvis, "German musicians in London, c.1750 - c.1850" in Stefan Manz, Margrit Schulte Beerbühl, John R. Davis eds., ''Migration and Transfer from Germany to Britain, 1660-1914'' 2007:44 and note 38.〕 Fischer published several teaching manuals for the oboe, with varying titles: ''The Compleat Tutor for the Hautboy'' (''ca'' 1770), ''New and Complete Instructions for the Oboe or Hoboy'' (''ca'' 1780)〔Bruce Haynes, ''The Eloquent Oboe: A History of the Hautboy 1640-1760'', 2001:5.〕 and ''The Hoboy Preceptor'' (1800). Among his students was composer and oboist Charles J. Suck.
An etching/aquatint ''A Sunday concert'' by Charles Loraine Smith, published 4 June 1782,〔(National Portrait Gallery, London )〕 shows a distinguished musical group gathered round a harpsichord, with Fischer and Charles Burney among them.
Mozart composed a set of ''Twelve Variations in C on a Menuett of Johann Christian Fischer'' (K.179 ()).
==Notes==



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